Netflix’s The Gentlemen review: “Fun, but nothing we haven’t seen before from Guy Ritchie”

Feb. 24, 2024

Despite stellar performances from Theo James and Kaya Scodelario, Netflix’s The Gentlemen feels like something we have seen many times before from Guy Ritchie. But what it lacks in originality, it makes up for in humor and an array of colorful characters.

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When Netflix announced its upcoming series from Guy Ritchie, spun off from one of his most recent filmsThe Gentlemen, I was a little skeptical about how the director would transfer his trademark tangled tales of cockney crimes and grimy gangsters onto the small screen. But through the use of a great cast, relatable social commentary, and humor, The Gentleman series lives up to what fans expect from Ritchie, despite being nothing we haven’t seen from the director before.

Series vs. Movie

However, certain aspects of the series feel like a cheap copy of the film. At first glance, Susie Glass looks like a carbon copy of the movie’s cockney princess played by Michelle Dockery, from her stylish appearance, the Louboutins, and even the accent. Similarly, the villain in both stories is portrayed by a wealthy American who uses money and social class to try and outsmart the criminals. Because of this, some of the twists and turns in the show are easy to predict and take the fun out of it. In this sense, the show feels a bit ‘been there done that’, but that isn’t necessarily a bad thing as the formula works, we just know what’s coming.

The show’s dazzling ensemble from Breaking Bad’s Giancarlo Esposito to Ritchie veteran Vinnie Jones, truly carries the series, not to mention James and Scodelario completely stealing the show.

This is a very different role for James, who we are used to seeing in action franchises such as Divergent and other drama series. Eddie is a multi-layered character, who at first look seems like any other privileged elite we are used to seeing on screen such as in Saltburn, but changes the further he delves into the Glass’ world of depravity. In previous Ritchie projects, we see the higher class as somewhat clueless and reliant on their criminal counterparts, not wanting to get their own hands dirty, but Eddie’s character offers a different perspective.

Scodelario’s Susie Glass mimics Dockery’s sardonic nature and elegance, but throughout the eight-part series, we see many sides to the female lead that the movie didn’t have time to delve into. Susie is something of a chameleon, she maneuvers between high-society and dirty dealings effortlessly, but at times we see the strain the business and the pressures from her family have on her. Just like with James’ Eddie, we haven’t had a character quite like Susie before in a Ritchie flick, or even if we have, the confines of a movie haven’t allowed the filmmaker to fully explore the feminine side of his crime genre.

The Gentlemen isn’t the only flick of the legendary filmmakers that gets referenced during the series. If anything, the show is a whats-what of Ritchie’s discovery. From the outdoor barbeque used by Bobby Glass that calls back to Hunnam’s character in The Gentlemen, to the traveling gang who exert similar behavior and traits to Brad Pitt’s character in Snatch. In this sense, it feels like this series is truly made for Ritchie fans and plays homage to his past work rather than remaking it.

On top of this, we are treated to an appearance from one of Ritchie’s top dogs Vinnie Jones who has starred in the likes ofLock, Stock, and Two Smoking BarrelsandSnatchas a fearsome criminal. It would have been easy to typecast Jones but in The Gentleman, he plays a rather peaceful and complex gamekeeper who adds yet another layer of complexity to Eddie’s family life.

All in all, the Netflix series may not shock and surprise viewers in terms of originality, but for Ritchie fans, The Gentlemen is a welcomed trip down memory lane into familiar territory with references to the legendary filmmaker’s iconic movies and British crime genre. The Gentlemen series exhibits everything we love about Ritchie movies, just in an extended format.

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