Prince of Persia: The Lost Crown's game director kept singing at his developers to make sure the combat and platforming followed the same rhythm
Jan. 11, 2024That’s one way to make sure gameplay flows nicely
When you purchase through links on our site, we may earn an affiliate commission.Here’s how it works.
The game director of Prince of Persia: The Lost Crown has revealed he sang to its developers to make sure all elements followed the same rhythm.
In GamesRadar+’s ownPrince of Persia: The Lost Crown interview, game director Mounir Radi talked about the platformer’s “musicality” and how its gameplay needed to follow the same rhythm to flow well for its players.
“For me, both in the platforming and the boss fights it’s about musicality. It’s a partition. To be sure that the player can enter that flow state, you have to translate all those partitions into music,” the developer reveals.
And how do you make sure that your game has musicality to it? Constantly sing at the developers making it, of course. “When I’m talking to animators or people, I’m just singing, singing combat. It’s like a big band because everything has to translate into music to get that rhythm,” Radi admits.
“In combat, in platforming, rhythm is the big thing. So thankfully we have that understanding of rhythms and animations, trying to maintain the flow state by avoiding frustration.” Elsewhere in our chat with the director, Radi revealed that Prince of Persia: The Lost Crown didn’t always play exactly like it does now.
“We didn’t start with the Metroidvania genre,” the director explains, “we started with trying to understand what are the core pillars of the Prince of Persia series, and being sure that we did our job in representing those – the acrobatic fights, puzzles, platforming, and of course the narrative.”
Sign up to the GamesRadar+ Newsletter
Weekly digests, tales from the communities you love, and more
Find out even more about this upcoming title with ourPrince of Persia: The Lost Crown preview.
After studying Film Studies and Creative Writing at university, I was lucky enough to land a job as an intern at Player Two PR where I helped to release a number of indie titles. I then got even luckier when I became a Trainee News Writer at GamesRadar+ before being promoted to a fully-fledged News Writer after a year and a half of training. My expertise lies in Animal Crossing: New Horizons, cozy indies, and The Last of Us, but especially in the Kingdom Hearts series. I’m also known to write about the odd Korean drama for the Entertainment team every now and then.
A month after approving free versions of Unreal games that “started it all,” Fortnite creator Epic shouts out a group of fan devs “for their continued support in keeping the legacy alive”
After 17 years of work on D&D-inspired roguelike Caves of Qud, co-creator says “I personally have lost my mind and started posting about my dark desires to drop off the grid”
The Witcher 4 gets even more coin teasers from CD Projekt Red, sparking another round of theories from RPG fans on Project Polaris' plot
