Sing Sing review: "Colman Domingo’s soulful performance keeps this prison story gripping and gritty"

Aug. 29, 2024



Domingo’s soulful performance keeps this moving tale of jailhouse redemption gripping as well as gritty.

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A thoughtful US prison story that swerves felon-style yard fights for rehearsal-room revelations, Greg Kwedar’s powerful reality-based drama explores the redemptive power of community drama in the otherwise brutal life of Sing Sing maximum-security jail.

Colman Domingo’s John, the talented theater-group top dog, finds himself challenged by smart, volatile newbie Eye (Clarence ‘Divine Eye’ Maclin), whose explosive rage (and the knife in his waistband) threatens to get them shut down. A film that concentrates on the prisoner, not their crime, Sing Sing’s grainy, up-close 16mm camerawork gives the central pair’s friction-filled relationship a keen intimacy.

Maclin (an ex-prisoner in real life, like most of the cast) is astonishingly good as a Hamlet-playing tough who discovers that his gangster life is just another role that trapped him. He goes toe-to-toe with Domingo in their fractious scenes with the intensity of a seasoned pro, as their fortunes see-saw through a tough season.

Domingo, alternately mellow and quietly despairing as a lifer prepping intensely for his last-chance clemency hearing alongside the group’s ambitious show, is as good as ever. Leisurely pacing and a restrained style gives Kwedar room to dig into how staging theater productions brings hope and playfulness to inmates who’ve been battered by predatory prison life.

Touching rather than touchy-feely, it’s a high-stakes story with its fair share of fights, deaths and the jail-or-joy tensions of parole hearings. If it’s also a tad starry-eyed about drama as a cultural cure-all, Kwedar’s empathy for the life-battered inmates makes this a rare, graceful work.

Sing Sing is out now in US theaters and is released in UK cinemas on August 30.

For more, check out our guide to theupcoming moviesto get on your radar.

Kate is a freelance film journalist and critic. Her bylines have appeared online and in print for GamesRadar, Total Film, the BFI, Sight & Sounds, and WithGuitars.com.

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