The Barash Vow: Explaining the Star Wars comics term referenced on The Acolyte
Jun. 12, 2024Here’s why Jedi Master Torbin was meditating for more than a decade
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The latest Star Wars TV show, The Acolyte, is now streaming onDisneyPlus, with its third episode hitting the streamer today. Asnoted by the official Star Wars Twitter account, however, the second episode of the show, ‘Revenge/Justice,’ contained an intriguing link back to Marvel’s Star Wars comics.
In ‘Revenge/Justice’ the assassin Mae attempts to kill Jedi Master Torbin, only to find him silently meditating (and floating several feet off the ground). It turns out he was practising the Barash Vow - an oath of penitence taken by members of the Jedi Order that involves detaching themselves from the rest of the Order to concentrate on communing purely with the Force.
Although this was the first time the term was used in the real world, in the Star Wars galaxy it dates back to hundreds of years earlier and the High Republic era - yes, the same time period as The Acolyte show. It’s named after Barash Silvain, a Jedi Master who vowed to temporarily halt her actions as a Jedi following a disastrous mission on the planet Gansevor which led to much bloodshed. Over the years many more Jedi have taken what quickly became known as the Barash Vow.
It seems like there’s no set path for how long a repentant Jedi will spend pursuing the vow. Torbin in The Acolyte has been meditating in this state, we’re told, for more than ten years. Given that length of time and his dying response being, “Forgive me. We thought we were doing the right thing,” it seems clear that Mae probably has quite a lot to be angry about.
For more on The Acolyte, jump into these explainers, guides, and cast interviews:
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Will Salmon is the Comics Editor for GamesRadar/Newsarama. He has been writing about comics, film, TV, and music for more than 15 years, which is quite a long time if you stop and think about it. At Future he has previously launched scary movie magazine Horrorville, relaunched Comic Heroes, and has written for every issue of SFX magazine for over a decade. He sometimes feels very old, like Guy Pearce in Prometheus. His music writing has appeared in The Quietus, MOJO, Electronic Sound, Clash, and loads of other places and he runs the micro-label Modern Aviation, which puts out experimental music on cassette tape.
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